Electronic mixing in Brooklyn — house, techno, future bass, electro, dance pop. Loudness, low-end, and movement engineered for clubs, headphones, and streaming.
Mixed by Alexander Almgren — Grammy-nominated, multi-platinum mixing engineer with 19 Billboard Top 20 albums and 3 billion+ credited streams. Delivered for Virgin, Universal, Warner, and 300 Entertainment. Studio at 332 Rogers Ave, Crown Heights, Brooklyn.
Generic mixing applies the same template to every record. Electronic mixing requires a workflow tailored to the genre's specific sonic problems:
Sub-bass engineering — hitting on club rigs without disappearing on phones.
Mid-side processing — width that translates without phase cancellation.
Drop dynamics — preserve the energy of the build/drop without limiter pumping.
Streaming + club masters — separate optimized masters where it matters.
The studio is at 332 Rogers Ave, Crown Heights, Brooklyn — accessible via 2/5 (Sterling St / Winthrop St) and B/Q (Prospect Park) trains. In-person sessions are by appointment.
Most electronic projects are completed remotely. Stems in, mix out — same multi-platinum quality, no travel required. Clients have mixed records with us from Berlin, São Paulo, Lagos, Atlanta, LA, and beyond.
Freshly Baked Studios is in Crown Heights, Brooklyn at 332 Rogers Ave. Multi-platinum, Grammy-nominated mixing engineer Alexander Almgren mixes electronic for independent and major-label artists. Recent electronic credits include Imanbek, Lauren Ritter, Michael Mason. Available in-person at the Brooklyn studio or remotely worldwide.
Mixing rates depend on track count, complexity, and revisions. Most singles fall between $300 and $1,500. Get an instant custom quote with our deal calculator on the Rates page, or book a free 30-minute consultation.
No. Most electronic mixing projects are completed remotely — you send stems, we mix, deliver via Dropbox. In-person sessions at the Brooklyn studio are available for artists who want to be in the room.
Final mix as 24-bit WAV at session sample rate, plus instrumental, a cappella, and TV mix variants where applicable. Stems for sync licensing on request. Two revision rounds included.
Electronic has its own production language — what works for a electronic record is genre-specific. We tailor the workflow per genre: Sub-bass engineering — hitting on club rigs without disappearing on phones.; Mid-side processing — width that translates without phase cancellation..
Get an instant custom quote — or book a free 30-min consultation to talk through your project.